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PROSE
There is no better way to learn English than
to read. There are many great books
to read and enjoy. Here is a short list of
great works by world renowned writers.
NOVELS & PLAYS FROM AROUND THE WORLD
(Please suggest other titles for inclusion in the following list.)
Alan Paton: Cry
the Beloved Country
Aldous
Huxley: Brave New World
Alice
Hoffman: the River King
Alistair
McLeod: No Great Mischief
Anita Desai: Village
by the Sea
Anne-Marie
MacDonald: The Way the Crow Flies
Antjie Krog: Country
of My Skull
Arthur
Miller: Death of a Salesman
Arundhati
Roy: The God of Small Things
Bapsi Sidhwa: Cracking
India
Barbara
Kingsolver: The Bean Trees
Bertold
Brecht: The Three Penny Opera
Beverley Naidoo: No
Turning Back
Bryce Courtenay: Power
of One
Carol
Shields: The Stone Diaries
Charles
Dickens: Great Expectations
Charlotte
Bronte: Jane Eyre
Chekhov:
The Cherry Tree
Chinua Achebe: Things
Fall Apart
Christopher
Marlowe: Doctor Faustus
Dambudzo Marechera: The
House of Hunger
David
Adams Richards: Mercy Among the Children
David
Guterson: Snow Falling on Cedars
David Malouf: Remembering
Babylon
Douglas
Coupland: Generation X
E.
Annie Proulx: The Shipping News
Edward
Albee: Who’s Afraid of Virginia Woolf
Elizabeth Jolley: My
Father’s Moon
Ernest
Hemingway: A Farewell to Arms
Eugene
Ionesco: Rhinoceros
Eugene
O’Neill: Long Day’s Journey into Night
Evelyn
Waugh: Scoop, Brideshead Revisited, A Handful of Dust
F.
Scott Fitzgerald: Tender Is the Night
Gabriel
Garcia Marques: One Hundred years of Solitude, Chronicle of Death Foretold
Gabrielle
Roy: The Tin Flute
George
Bernard Shaw: Pygmalion, Major Barbara
Gracy Ukala: Dizzy
Angel
Gunter
Grass: The Tin Drum
Guy
Vanderhaeghe: The English Man’s Boy
Helen Garner: Monkey
Grip
Henry
James: The Turn of the Screw
Ian
MacEwan: Atonement, Saturday,
Amsterdam
Ivan Vladislavic: The
Folly
J. M. Coetzee: The
Good Doctor
J.M.
Synge: Playboy of the Western World, Riders to the Sea
Jane Austen, Pride and Prejudice
Jane
Hamilton: The Book of Ruth, Map of the World
Jane
Smiley: A Thousand Acres
Jane
Urquhart: The Underpainter, The Stone Carvers, Map of Glass
Joan
Barfoot: Luck
Johann
Wolfgang Goethe: Faust
John
Irving: Cider House Rules, A Widow for a Year, The World According to
Garp
John
Knowles: A Separate Peace
Jonathan
Franzen: The Corrections
Joseph
Boyden: The Three Day Road
Joseph
Heller: Catch- 22, Picture This
JRR Tolkien: Lord
of the Rings
K. Sello Duiker: The
Quick Violence of Dreams
Khushwant Singh: Train
to
Pakistan
Kurt
Vonnegut: Slaughterhouse Five, Sirens of Titan
Margaret
Atwood: Alias Grace
Margaret
Laurence: The Stone Angel
Mark Mathabane: The
Last Liberal
Maya
Angelou: I Know Why the Caged Bird Sings
Michael
Ondaatje: Anil’s Ghost, The English Patient
Mike Nicol: Ibis
Tapestry
Miriam
Toews: A Complicated Kindness
Mordecai
Richler: Barney’s Version
Mulk Raj Anand: Untouchable
Nadine Gordimer: The
Bridegroom
Nathaniel
Hawthorne: The Scarlet Letter
Neil
Simon: The Odd Couple
Ngugi wa Thiong’o: A
Grain of Wheat
Noel
Coward: Private Lives
Olive
Ann Burns: Cold Sassy Tree
Oscar
Wilde: Lady Windemere’s Fan, An Ideal Husband
Pat
Barker: Trilogy: Regeneration, Eye in the Door, Road Ghost
Peter
Shaeffer: Equus, The Royal Hunt of the Sun
Phaswane Mpe: Welcome
to Our Hillbrow
R. K. Narayan: Malgudi
Days
Robertson
Davies: The Lyre of Orpheus, Deptford Trilogy
Roddy
Doyle: Paddy
Clark
Ha Ha Ha
Rohinton Mistry: A
Fine Balance
Rudy
Wiebe: A Discovery of Strangers
Samuel
Beckett: Waiting for Godot
Sandra
Birdsell: Russlanders, Children of the Day
Shauna Singh Baldwin: What the Body Remembers, The Tiger Claw
Sheri
Reynolds: The Rapture of
Canaan
Sylvia
Plath: The Bell Jar
T.S.
Eliot: Murder in the Cathedral
Tendai Dhliwayo: Freedom
Fighter
Tennessee
Williams: Streetcar Named Desire, The Glass Menagerie
Thomas
King: Green Grass Running Water
Timothy
Findley: Famous Last Words, The Last of the Crazy People,
Toni
Morrison: Beloved
Tsitsi Dangarembga: Nervous
Conditions
V. S. Naipaul: A
Bend
in the River
Valerie Fitzgerald: Zemindar
Vikram Seth:
A Suitable Boy
Vladimir
Nabokov: Lolita
Wayne
Johnston: The Divine Ryans
William
Faulkner: Sound and the Fury
Wole Soyinka: Madmen
and Specialists
Yvonne Vera: Butterfly
Burning
Zakes Mda:
The Whale Caller, Ways
of Dying
PART
2
Things
Fall Apart
Chinua
Achebe
An
introduction
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FAMILY
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PEOPLE
IN THE COMMUNITY
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UNOKA
- Okonkwo's father
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Obierika - Okonkwo's best friend
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OKONKWO
- the impetuous main character
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Maduka - Obierika's son
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First
Wife
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Akueke - Maduka's half sister
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Nwoye
- eldest son
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Ibe - Akueke's suitor
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Obiageli
- daughet
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Ukegbu - Ibe's father
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Second
Wife - Ekwefi
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Chielo - Ekwefi's friend and
Priestess
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Ezinma
-daughter
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Nwakibie - lends Okonkwo seed yams
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Third
Wife - Ojiugo
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Ogbuefi Ezeudu - oldest man
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Nkechi
- daughter
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Ogbuefi Ezeugo - public orator
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| Ikemefuna
- 'adopted' son from Mbaino village |
Akunna
- clan leader |
| Uchendu
- Okonkwo's younger maternal uncle. |
Ogbuefi
Udo - someone murdered his wife |
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Osugo
- Okonkwo clashes with him |
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Ozowulu
- wife taken from him by her family |
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Odukwe
- Ozowulu's brother-in-law. |
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Okagbue
- medicine man |
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An
overview of the story:
The
central figure in Achebe's tale is a
relatively prosperous and well regarded
warrior by the name of Okonkwo. He lives
in Nigeria in one of the nine related
villages that border each other and
which constitute the wider world for his
tribe. He himself belongs to the Umuofia
clan. Umuofia, in Ibo stands for
"people of the forest".
Okonkwo
is conscious of his good standing in his
village and this is in stark contrast
with that of his lazy and spendthrift
father, Unoka, who borrowed from his
neighbours but never settled his debts.
In the culture to which he subscribed
one became influential by spending some
of his wealth on the community and by
earning titles. His father had no titles
and no money. The son Okonkwo is
determined to reverse all of this. He is
a determined farmer, a steadfast
clansman and a fearless warrior. With
many wives and plenty of food in store,
Okonkwo looks like making more of his
life than the father he so powerfully
despised:
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in spite of these
disadvantages, he had begun
even in his father’s
lifetime to lay the
foundations of a prosperous
future. It was slow and
painful. But he threw himself
into it like one possessed.
And indeed he was possessed by
the fear of his father’s
contemptible life and shameful
death. (p.17)
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In
trying to over compensate for his poor
start in life, Okonkwo
became haughty and was very brusque with
less successful men. He knew, ‘how to
kill a man’s spirit’. On the other
hand he was very tough on himself so
that in keeping with Ibo belief his
little god or chi was with him in
what he did simply because he willed
that it should be so.
Okonkwo established a great reputation
for himself by becoming a champion
wrestler. At this time, when Okonkwo was
basking in the glow of fame, someone
from another village had murdered the
wife of Udo, a fellow clansman. Not
unexpectedly Okonkwo was chosen by the
elders ‘to carry a message of war to
their enemies unless they agreed to give
up a young man and a virgin to atone for
the murder.’ The
fearful neighbours quickly submitted to
the demands and yielded up a virgin and
a boy as Okonkwo demanded.
On his
successful return to his village Umuofia,
Udo is given the virgin in place of his
murdered wife and Okonkwo is requested
to keep the boy Ikemefuna. The boy was
very popular with everyone in the
household and especially with Okonkwo's
son, Nwoye. Even Okonkwo ‘himself
became very fond of the boy – inwardly
of course. Okonkwo never showed any
emotion openly, unless it be the emotion
of anger.’
Anger was something welled up easily in
Okonkwo’s breast as when his third
wife was late because she had gone to
plait her hair. When ‘she returned
home he beat her very heavily.
In his anger he had forgotten
that it was the Week of Peace.’ Before
dusk the priest Ezeani came to
remonstrate with Okonkwo as he had
committed an evil that could ‘ruin the
whole clan’. Although ‘his enemies
and his good fortune had gone to his
head’ he submissively offered the
atonement that the goddess Ani would
require and so Ezeani was satisfied.
All of that was a temporary thing as his
temper would flare again and he would
resort to violence. Not only did he
approve of violence for himself, he
advocated it for others too. During the
feast of the New Yam he gave his second
wife ‘a sound beating’ for cutting
off a few leaves from a banana tree to
wrap some food. In his view there was no
compromise about a man ruling his women
and his children with an iron fist. He
even implanted in his son Nwoye the
notion that ‘it was right to be
masculine and to be violent.’
Violence, wherever it is practised,
takes on a life of its own. Just when
everything seemed to be progressing
smoothly and evenly, Okonkwo is informed
that the Oracle of the Hills and the
Caves had pronounced that Ikemefuna
should be killed. This is shattering
news. Okonkwo compliantly informs the
boy ‘that he was to be taken home the
next day’. His son Nwoye bursts into
tears. The men of Umuofia escort the
boy, and after several hours of walking
the ‘man who had cleared his throat
drew up and raised his matchet’ and
struck the boy. Ikemefuna cried out,
‘My father, they have killed me!.’
and ran towards him. ‘Dazed with fear,
Okonkwo drew his matchet and cut him
down.’
When Okonkwo returns home, Nwoye
instinctively deduces that his friend is
dead. Okonkwo falls into a depression
and just when he is about to get over it
another tragic event befalls him. His
gun accidently explodes and kills
Ogbuefi, Ezeudu’s sixteen-year-old
son. As the killing of a clansman is a
crime against the earth goddess, Okonkwo
has to atone for his deed by taking his
family into exile for seven years to
Mbanta, the village where his mother was
born. As
he leaves, his animals are killed by the
villagers and his buildings are burnt in
order to cleanse the village of his sin.
During
the period of his exile, white men begin
coming to Umuofia with the purpose of
introducing Christianity. Their
missionary endeavours are quite
successful and as their penetration
grows, they introduce a new
administration. The
village Okonkwo returns to is very
different to the one he had left a short
while back. In his usual reactive way,
Okonkwo and other tribal leaders try to
fight back by destroying a local
Christian church that had offended them
by insulting their gods and beliefs. The
white administration retaliates by
taking them prisoners and by humiliating
their leaders. As the people of Umuofia
prepare for an uprising messengers of
the white government try to stop their
meeting and Okonkwo kills one of
them. His fellow clansman, however,
allow the other messengers to escape and
it becomes all too obvious to Okonkwo
that the path of revenge he is following
is a lost cause.
Okonkwo
hangs himself rather than yield himself
to the District Commissioner.Unwilling
to compromise or face further
humiliation, he sacrificed his own life. |
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